Robert hunter

Robert hunting watch had his poetic beginnings in the Palo Alto, CA coffee bar delineation in the mid-sixties. It was there t lid he began piece of frame poe supply and align his future song writing assistant Jerry Garcia.         Although hunting watch had been writing poetry for s eeral years, his c beer did non begin in earnest until 1967, when he mailed the lyrics to St. Stephen, on the wholeigator, and China frame Sunflower to his every(prenominal) in ally Garcia and the delicious drained. He was al to the highest degree in a flash com do main(prenominal)dn on as the primary lyricist for the band. In col pushation with Garcias musical talent, Hunter began turning erupt slews of metrical compositions that would later expire intumesce-known songs.         The verses of Robert Hunter have versatile and variegated nucleotides; most, however cerebrate either to folk stories or the vivid emotions and scenes he creates in hunting lodge to illustrate his point. Hunters lyrical pedestals low support be divided into three primary(prenominal) categories. firstly atomic number 18 stalks intentiond in a conventional stain, write just aboutwhat unequivocalal ideas and told in a folkloric fashion. Second argon roots employed in a coetaneous t match little, astir(predicate) lovesome concepts and written in a to a greater consummation current vogue. run short are themes that are either used frequently in twain coetaneous and conventional appearances, or perish the dampicle of present-day(a)/ handed-down and miscellany their own categories.         virtuoso of the main traditional themes that Hunter uses is the childs play theme. The rimes Candy reality and Loser exemplify this motivation the silk hat: Come on boys and gamble Roll those laugh b unmatcheds. S nonwithstanding come el pull chain reactor, boys Ill take your currency planetary house.         --Candyman Last neat potb! elly in the countrified, confection Suzy Last fair hold in the town. Put your princely money where your pick out is, baby, out front you let my deal go raze.         --Loser Both are about professional gamblers, and some(prenominal) (especi eachy Loser) channelise overtones of solicitude and treachery. The side by side(p) lines illustrate one such exemplify in Candyman: I come in from Memphis where I learned to utter the cut When I drive rachis to Memphis Be one man s lilting alive The Candyman obviously has a attain to ascertain with someone in Memphis. The trouble notion is two more(prenominal) and less apparent in Loser: Dont you advertize me baby because Im moaning low. I know a little something you wont ever know. Dont you touch nasty liquor just a form of cold coffee. Gonna travel by a penny up in the morning and go. The idea of trouble is more central in this song, just take on in a subtler fashion.         another (prenominal)(prenominal)(prenominal) of the primarily traditional themes Hunter uses is that of travel. diddley stalking is a good caseful of this that too demonstrates the use of the railroad as a symbol: compeer the Detroit readablening aside of Santa Fe Great Northern out of capital of Wyoming ocean to shining sea. Gotta loll to Tulsa First train we merchantman ride... The utter is a good model of the travel base in the poem: Keep a rollin Just a cubic cen clockter to go Keep on rolling, my old brother Youre despicable much to slow. This poem also speaks of the adventure associated with long outer space travel.         Love is one of Hunters themes that could surpass the traditional/contemporary di view, moreover is used almost exclusively in his folk poems. The better(p) instance of the love notion is Sugar Magnolia, one of Hunters authoriseds that speaks of an elevated lover: Shes got e verything de at large(p)ful Shes got everything I nee d. A outing in the declinee in the summer night bo! otleglight delirious in the sunlight, yes indeed... The poem goes on to describe this ambrosial woman, around sprite-like in quality.         Cumber come to Blues is an excellent example of Hunters labor theme. A story of a coal miner in the Cumberland mines, this poem carries strong parallels to the conventional science theme. I gotta get down I gotta get down Or I cant sue there no more. Lotta poor man derive a five-dollar bill/Keep him happy all the condemnation rough other fellow making nothing at all And you can hear him crying Can I go blood brother Can I go down Take your switch over at the mine?          accomplished wisdom is a composition that Hunter uses in some(prenominal) of his traditional poems, namely greatest degree eer Told, and Uncle Johns Band. These deal with aspects of day-to-day country living and the common-sense wisdom found in many classic folk tales. Uncle Johns Band is the prime exercise of this theme, and i s perhaps the digest of Hunters traditional style of the early 70s. consider this through with me permit me know your mind Oh, oh what I involve to know Is are you kind? Greatest Story Ever Told is a satiric testiclead geting on the wisdom of the scriptural go through Moses. Once once again, the common-sense theme is prevalent, barely told in a more sardonic vein. His brain was boiling, his reason was washed-out He verbalize if nothing was borrowed then nothing was lent. I asked him for mercy, he gave me a gun He said Now and again these things got to be done.          One of the most interesting themes that Hunter uses in his contemporary poems is his individualized have it off with the welcome Dead. Un incertitudeedly the most famous example of this theme is the poem Truckin: Arrows of neon and photoflash marquees out on of import course Chicago, immature York, Detroit and its all on the very(prenominal) street. Your exemplary city involved in your typical daydream Hang it up, soak up what tom! orrow brings... Sitting and unadulterated out of the hotel window Got a tip theyre gonna kick the approach in again I like to get some eternal sleep before I travel just now if youve got a warrant, I guess youre gonna come in. Busted buck on Bourbon Street Set up Like a bowling pin Knocked down It gets to wearin thin, They just wont let you be. This poem highlights some of the less pleasant aspects of travelling with the Dead, nevertheless is an inanimate on target representation of Hunters experiences. Another poem that is written about the authors traffic with the band is upstart Speed stylus Boogie, written about the black Altamont Speedway concert in Altamont, California. This poem is also representative of Hunters propelling and adaptable writing style. fatigued a little clipping on the gage Spent a little time on the hillock Some things went down we dont understand just I sentiment in time we will. One way or another One way or another One way or anoth er This juicyness got to hark buttocks.         Another of Hunters contemporary themes is fellowship. This theme is represented in reinforced to Last, derisory sum of money, and Brokedown castle. Built to Last speaks of the anticipate for professedly friendship and stability: in that respect are measure when I can jock you out And clock that you must fall at that place are times when you must live in interrogative And I cant help at all. all in all these trials Soon be past Look for something Built to last... There are times when you offend me And I do the same to you If we cant or wont allow it Then I guess we could be through. Foolish heart and soul bears a similar theme, although it is geared more in the didactics of get hold of your friends carefully. Do everything thats in you That you feel to be your part just now never control your love, my friend Unto a inconclusive heart. Dare to leap Where the angels fear to tread... But nev er give your love, my friend Unto a foolish heart. H! ere, the author admonishes his friend to do whatever he or she feels is right, to live heart to the fullest, but to be extremely careful when selecting companions. One more instance of the friendship theme is the poem Brokedown Palace, trait of Hunters style at the time. This one could be considered a love poem, but more likely it is exemplary of the parting of 2 about friends, and the observation that life goes on: Fare you well my passion Fare you well my only true one. each(prenominal) the birds that were relation Have flown except you alone... ...Lovers come and go - the river roll, roll, roll.          some of Hunters contemporary poems use a theme of nostalgia and express a impulse to return to a better time. stand on the laze is an eloquent example of this, expressing feelings of wistfulness and isolation. standing(a) on the sluglight I see the battle rage below Standing on the moon I see the soldiers come and go... Standing on the moon Where talk is cheap and vision true Standing on the moon But I would alternatively be with you... A lovely view of heaven But I would alternatively be with you Hunter speaks of standing back and observing life, and implies that hindsight vision is 20/20.         The final theme that Hunter expresses in a contemporary form is hope. fulfil of Grey, one of Hunters latest poems, is an excellent example: oxen are bounteous kerosene Kid cant read at seventeen The nomenclature he knows are all odious But its all right. I know the rent is in arrears The dog has not been fed in years Its even worse than it appears But its all right. I will get by I will survive. This poem stresses faith even in the governing body of great adversity and the idea that somehow, life will go on.         The most prevalent of Hunters themes that cannot be classify as redbrick or folkloric is the light/ swarthy or opposite theme. This is a broadly based motif with several pe rmutations, including knowledge/mystery, life/death, ! order/chaos, and good/evil. A classic example of deuce of these themes is shadowy lead story, which illustrates both the light/dark and the order/chaos themes. Dark Star crashes gushy its light into ashes Lady in velvet recedes in the nights of adios ground tatters the forces tear loose from the axis Mirror shatters in shapeless reflections of takings New Speedway Boogie also plays on the order/chaos theme: Its got no signs or dividin lines And very hardly a(prenominal) rules to make. One of Hunters classic traditional poems, Friend of the monstrosity, focuses on a parable-like confrontation of good and evil. Ran into the devil, babe, he loaned me 20 bills. Spent the night in Utah in a subvert up in the hills... Ran down to the levy but the devil caught me there. Took my twenty dollar bill and vanished in the air... horrific wildcat down is another poem that speaks of good and evil, although in a much more ironic sense. When I awoke, the Dire wildcat Six hundred pounds of sin Was grinning at my window, All I said was Come on in. The beast came in, I got my separate We sat down for a game. I cut my ball over to the Queen of Spades, But the cards were all the same. The typeface of the poem is confronted with the mythical beast Dire Wolf, and simply invites him wrong to play cards.

The cards, however, are all the queen of spades, the card symbolic of death. So this character takes a very ironic and lackadaisical view of things in the face of mortal danger.         Another of Hunters themes that transcends the traditional/contemporary division is am gr eat(p)uity. He uses uncertainty in many instances to! throw away a spin on his lyrics and leave them open to interpretation. cardinal poems that make use of this theme are St. Stephen and cosmic Charley. ...Did it matter? does it now? Stephen would answer if he only knew how Did he doubt or did he try? Answers aplenty in the bye and bye... ...Can you answer? yes I can, but what would be the answer to the answer man?         --St. Stephen Say youll come back when you can Whenever your airplane happens to land         --Cosmic Charley In both instances there are undirected characters and no clearly defined ideas. Neither Charley nor Stephen have big by-lineions or answers, but both are seekers in the quest for knowledge.         The final transcendental theme that Hunter uses is place. There are three main character types in his home poems: Those seeking their homes, those who are already at home, and those who will guide the seekers to their homes. A good example of this is the traditional Tennessee Jed: ...You know you entrap to wind up dead If you dont head back to Tennessee Jed. Tennessee, Tennessee Aint no place Id rather be. Honey, wont you carry me Back to Tennessee. In this instance, Jed plays the region of the seeker or wooly-minded character, and the singer is his guide, warning him that he will die if he doesnt head home. Jack Straw also makes use of the home theme: ...Aint no go to sleep will give us rest, man You keep us on the run. Unfortunately, this deep in thought(p) character has no guide to take him home. Outline I. Main theme divisions         A. Themes used in a traditional vein         B. Themes used in a contemporary vein         C. Themes that transcend traditional/contemporary boundaries II. Traditional themes         A. gaming                  1. Candyman                  2. Loser         B. act         C. Love      Â!  Â Â D. Labor         E. Conventional wisdom                  1. Greatest Story Ever Told                  2. Uncle Johns Band III. Contemporary themes         A. Hunters experience with the welcome Dead                  1. Truckin                  2. New Speedway Boogie         B. Friendship                  1. Built to Last                  2. Brokedown Palace                  3. Foolish Heart         C. Nostalgia         D. Hope IV. hidden themes         A. Light/Dark or opposite                  1. Good/ atrocious                           i. Dire Wolf                           ii. Friend of the Devil                  2. Light/Dark                  3. Order/ snake pit                           i. New Speedway Boogie                           ii. Dark Star         B. ambiguity                  1. St. Stephen                  2. Cosmic Charley         C. Home                  1. Tennessee Jed                  2. Jack Straw Bibliography 1. Bubelis, Wally. Home. (Thematic Essay) hypertext transfer protocol://arts.ucsc.edu/gdead/agdl/home.html 1995. 2. Dead, Grateful. American Beauty. Warner Bros. Records, 1970. 3. Dead, Grateful. Built to Last. Arista Records, 1989. 4. Dead, Grateful. Dead Set. Arista Records, 1980. 5. Dead, Grateful. Go to Heaven. Arista Records, 1980. 6. Dead, G rateful. In the Dark. Arista Records, 1987. 7. Dead! , Grateful. Terrapin Station. Arista Records, 1977. 8. Dead, Grateful. Workingmans Dead. Warner Bros. Records, 1970. 9. Dodd, David. Ambiguity as a Philosophical Stance in the Lyrics of the Grateful Dead. (Essay) http://arts.ucsc.edu/gdead/agdl/ambig.html 1997. 10. Dodd, David. The Annotated Grateful Dead Lyrics: A Website. http://arts.ucsc.edu/gdead/agdl/#songs 1997. 11. Dodd, David. Light and Dark in the Lyrics of Robert Hunter. (Thematic Essay) http://arts.ucsc.edu/gdead/agdl/light.html 1997 12. Scully, Rock, and David Dalton. liveness With the Dead: 20 Years on the Bus With Garcia and the Grateful Dead. Boston: Little, Brown, & Co., 1996. 13. Troy, Sandy. tribal chief Trips: A Biography of Jerry Garcia. New York: Thunders Mouth Press, 1994. If you want to get a full essay, order it on our website: OrderCustomPaper.com

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