Narrative Methods Used in Part 1 of The Rime of the Ancient Mariner Essay

Part one of The Rime of the Ancient diddly opens with a third person omniscient narrator It is an ancient tare, And he stoppeth one of three. This person represents Coleridge as he fill ins everything that is happening in the verse, and he is setting the scene for the rest of the lyrical ballad. Other people may take the view that the omniscient narrator represents God, as he is seen by religious people as the only person who can by chance be omniscient. This instantly injects component parts of religion into the poem.The next stanza is narrated by the union knob, who speaks for the lector and vo internal-combustion engines the questions that the reader may have. He is confused as to why this odd-looking composition has stoppest him, which shows that the wedding guest doesnt know who the man is. This leaves the wedding guest just as clueless as the reader themselves at that moment. The pitch speaks for the first time in the third stanza, beginning his tale with on tha t point was a ship. The maw is responsible for sort bring outing the embedded narrative, which is an element of the Gothic. The mariner then takes over the story, telling his tale within the tale.The ballad is coordinate in Quatrains for all of Part 1, exactly this flip-flops to symbolise a change in the narrative. Stanzas six and eleven end in the same pull in The bright-eyed diddly-shite. The seventh Stanza is reversed at the end of the poem to show when he is going away from the familiar and when he is returning to it. The genre of this humans is a Lyrical Ballad, with elements of Romance and the Gothic. It draws on elements of the Romantic by its occur themes of nature, extremes of emotion and religion. It to a fault draws on elements of the Gothic as it includes religious imagery, large(p) weather and supernatural themes.The ballad is set at a wedding in reality, but the embedded narrative in Part 1 is set in the land of mist and snow. This represents the isolatio n of the hole as he strays away non only from land and equilibrium but also from God. This distance from God is physical, as it points out that he unexpended the Kirk, the hill and the light-house top representing him moving away from where God is, but also mental because the Marnier commits a great misdeed with my cross I supposition the Albatross and it is almost as if he and God are not at peace any more.There are connotations of the Mariners tale happening a long time ago as he uses archaic lexis in his version of events, such as Kirk for Church, thee, thou, and thus. Coleridge begins the poem with It is an ancyent Marinere, the language used shows that the Mariner is a strange being as he is referred to as it rather than he. The lexis used is archaic as twain ancyent and Marinere are non-standard spellings. Although the wedding guest uses preferably outdated terms, we can tell that the Mariner is older than him because his vocabulary predates to Coleridges times.Part 1 of this ballad uses internal and alternate rhymes passim to create a flow of events. The Mariner tells the wedding guest tw cover there was a ship in stanzas three and four which shows that the Mariner is persistent, but the reader does not know why he is so eager (we later find out that he had to tell this tale to the wedding guest). The wedding guest starts to establish aggressive at the Mariners persistence, telling him Now countenance thee hence, thou grey-headed-beard Loon Or my Staff shall make thee skip.This illustrates the wedding guests ignorance, and reflects what the reader would probably do if they were in that situation. The Mariner is describe as being almost wizard-like in appearance with his skinny hand, grey beard, and glittering eye which could be taken as being quite supernatural an element of the Gothic. The Sun is mentioned throughout the poem as a motif for God, and is personified as he. The Sun is present a lot to begin with the Mariner shoots the Albatr oss but is a less prominent eccentric afterward, showing that God is displeased with the Mariner.Coleridge uses Pathetic Fallacy to show the Mariners mood, by showing the Storm and Wind, A Wind and violent storm strong This is also an element of the Gothic. Coleridge also uses a similie to describe the ice As green as Emerauld. The colour depicted is very natural, which is an element of Romance and the word ice is repeated many times throughout to show the reader that the Mariner is literally surrounded by ice, representing his desolation.The ice crackd and growld and roard and squalld, which personifies the ice using animal imagery. This shows the unforgiving and harsh nature of the ice, which the Mariner is encapsulated by. The Albatross is a symbolic religious symbol, and religion is referenced throughout Part 1, showing Coleridges personal views and depicting elements of the Romantic and Gothic. The stagnate is used as a motif for change and is only introduced moments in advance the Mariner shoots the Albatross, which could be taken as foreshadowing.